Showing posts with label Venice. Show all posts
Showing posts with label Venice. Show all posts

Monday, December 5, 2016

Library of S. Marco,Venice Italy, 1560

Name: Xiaoyu Zeng
ARCH161 – M21 LEC(2587)
Library of S. Marco, Venice Italy, 1560
Doric order
Architect(s): Jacopo Sansovino, Vincenzo Scamozzi








[Introduction]
St. Mark’s Library is a sixteenth century building that is located in San Marco plaza of Venice. It is a masterpiece of the famous architect sausovino left in Venice, so that the name of library used his name to name it. He chose a narrow area to build it before people started to build it. He also adopted a double-layer structure that was slightly lower height. This long arcade with the classical columns looked concise and distant, and it also became a public area about leisure shade now.


Plan





[Construction]

The whole building is 84meters and it has 21 rooms that were divided into two layers. A layers of elevation are arcade. Stores are behind it. The library is on the second floor and people can reach from the central bay by stairs. The façade of column wall is circular wall, especially the column in second floor is Rome ionic type. A wall is close to the 1/2 width of wall column height and it also decorated with reliefs and vent. Arcade shoulder is decorated with embossed characters. The railing of stone on the roof top figure statue and the four corners become the obelisk. This library is thought to be the most magnificent project during the period of Renaissance architecture. Also, Plazza San Marco is known as the “heart of Venice”.










Sunday, December 4, 2016

Santa maria della Salute, Venice Italy, 1687(Complete)


Name: Xiaoyu Zeng
ARCH161 – M21 LEC(2587)
Santa Maria della Salute, Venice Italy, 1687(Completed)
Church, Baroque
Architect(s): Baldassare Longhena
     
                       


[Introduction]
Santa Maria della Salute is one of the masterpiece of Baroque architecture in Venice. When the plague was raging at 1630, the government of the Republic has decided to build this church to the lady Maria. Architect Baldassare Longhena designed it which completed at 1687.

When you face the main altar of the Old Testament stories depicting Hallows interior murals “David and Goliath” which was at the ceiling painting. The artist is Titian Vecellio. Also, Tintoretto “Cana’s wedding” by are worthy of one of the best gifts of art appreciation.

              
                     Marriage at Cana, 1561 - Tintoretto

    
"David and Goliath", Titian, 1542-44



Frauenkirche has heraldic pediments which is overlapped the lower part of wall. Because the white church is in the entrance of the Grande Canale, it looks as the red tiles roof from the sea rises between the white waves.It also is a masterpiece of Baroque architecture in Venice. Under the huge dome of the church is octagonal, six churches around it.
Perhaps, Frauenkirche was falling the angel, is also an unique symbol of the decline of the city of Venice. Since 1797, Napoleon conquered the Republic of Venice, and spoke Italian loudly to declared:” I am the master of principality of Venice Attila!”
Then, this city was a vibrant civilization before. However, it was like a fallen angel in the world, lost its former glory.

In the history of Venice, “the plague” fiercely attacked the city two times. Once was in 1347, during the half a year, Venice lost 3/5 people. The second times was in 1630, the “Black Death” raided  the Lagoon area and Venice, was killing 45000 people (equal 1/3 of the population in Venice). After the outbreak of Plague in 1630, Venetian went to the virgin Maria for help, the Republic of Venice of Senate vowed: If Maria can rescued Venice from this catastrophe, it will be built specially for her church. The plague has passed, so the Senate decided in 1631 to fulfill his oath to begin to campaign for the new church architect. They also required this project should not too expensive and it can give a good impression. They also added “salute” to the name to this new church because they appreciated Maria made them to get rid of the plague. The young architect Baldassare Lungna won the election to design the church.

[Construction]
They spent 56 years to complete this new church after architect Lungna have died for five years (1687). The based of Frauenkirche is an octagon. It is a large dome of the Venetian-style on the top of the church. On the east side of the priest seats, it has a small dome. Between the both sides, it is the clock tower. According to the record, they used a 170 thousand stake to build the foundation of the church. During the period, architect Lungna also found some problem such as foundation collapse and wall support. In order to solve the stability problem, the architect invented the support of the dome of the strange spiral shape.


The interior of the church is not like the beautiful exterior of the church. However, if the door closes, this church will look different from when the door opens. As a result, Frauenkirche only open the door at the Health day which is in November 21st each year to avoid and eliminate the plague. This day also is the only day that people can enter the church from the front gate. Believers will carry the candle, and then they cross the Grande Canale River Bridge to the church.





Plan





Section










Reference :
1. Andrew HopkinsSanta Maria Della Salute: Architecture and Ceremony in Baroque Venice , Andrew HopkinsCambridge University Press (March 13, 2000), Print
2. http://www.thehistoryblog.com/archives/7299
                     



Monday, October 31, 2016

San Marco Venice H. Keles

San Marco Venice

Image by Quadri/Mortti’s 1987 by “Vianello Libri

San Marco Venice is known for its urban space development dating back to the 9th century.  Apparently, this was the time when two merchants trafficked St. Mark’s corpse from Egypt usinga barrel of pork fat. Dating back to 932 the original structure was burnt down as Venice would soon to recreate its own multicultural image. The reestablished formation contains Byzantine domes, Greek-like cross layout and marbled cladded walls. The origins of these walls obtain rich components gathered from Syria, Egypt and Palestine. It has 8500 square meters of assortments that are blooming in nature today. The various different assortments range in an organic like figure deeply resembling a wave.  The building features five niched portals that are capped with shimmering mosaic. The niched portals maintain a bigger purpose to the sustainability of the structures function.  Arches made from frothy stone works to characterize the portals. The portal portrays the stolen corpse of St. Mark during its arriving at the basilica.
The main entrance consists of a central portal, which is below an ornate triple arch. The ornate triple arches have purple porphyry columns, which are located in Egypt.  The San Marco’s history is very rich in terms of traditional architecture. The glittering mosaics are where most of the attention is captured. The Mosaics were hand crafted with gold leaf’s that were fused into the back of the glass panel. This is a representation of the divine light as the light defines the purpose of soul and entity. The buildings most ideal unit is the vestibule were most of the oldest mosaics are inhabited. For example, San Marco does continue to maintain a great image In what it means to idealize northern Italy architecture. The city of Venice is widely respected as one of the most religiously iconic habitats of the 21st century.
 Within, the cathedral church of the Roman Catholic District the Dome of the Holy Spirit creates a foundation for mystical transfusion influence. The Basilica remains very high in both cultural and religious impact. Within the Holy Spirit Dome a dove’s blood streams on the heads of the saints. This serves as a reenactment of various biolistic beliefs. The Cupola that is located in the ascension square yard area displays a marble plated angel like statue that swirls over St. Mark. This balance is retained by a rare curved triangular vaulting formation better known as pendentive. Completed by the main altar, St Mark’s life is unfolding and visually pictured in the interior.
The vaulting form for its stability is resurrected by an intersection with supporting arches. Pala d’Oro is the extraordinary altar, which is in well visual alignment of the Basilica di San Marco. This is a golden altarpiece that is studded with about 2000 emeralds, rubies, amethysts, sapphires, gemstones and pearls. It is hosting St Mark’s coffin. The tomb of St. Marks is guarded upfront by life size foot soldiers. The soldiers are depicted with “wide eyes” exhibiting and validating the protection of St. Mark. The Tesoro is filled with holy bone and well-fragmented treasure. The building features many variations of art and symbolism. The invasion of architecture value came to an over flow when Napoleon ventured into the country savagely thieving locate landmarks. The art was than stolen back & transferred to basilica and re-installed. The second reconstruction of the space was reorganized for more secure and future purposes.
Image by Quadri/Mortti’s 1987 by “VianeL
Image by Quadri/Mortti’s 1987 by “Vianello Libri”
San Marco is very distinctive in terms of rich religious art and symbolize. Everything from the purpose and use of the building is well defined through a religious means as it manifests itself in almost every space function. Prayer hour and even the worship attire is very well advised as the whole community is built off ancient catholic culture. The attire for worship is think cotton while the knees and shoulders must remain covered. San Marco Venice is known for its urban space development dating back to the 9th century. The nature of the building is stable as it’s art, structure and philosophy has deeply cultivated religious invitation.

Cited Work:
 1.
http://www.venice-info.com/basilica-di-san-marco/


Henry Maguire & Robert S. Nelson (2010),. San MarcoByzantium and the Myths of Venice. Harvard University, Washington, D.C.