Showing posts with label Mosque. Show all posts
Showing posts with label Mosque. Show all posts

Tuesday, November 29, 2016

What makes a Mosque?

Coming in second, with approximately 1.6 billion adherents, or 23 percent of the global population, the Islam religion follows Christianity as the second of the three great monotheistic religions (Judaism placed at third). The religion is rooted in the prophet Muhammed, whom the Qur’an embodies as the chosen one to receive the word of God.

Born in Mecca in June 570, Muhammed grew up in a population of pagan Arabs, Jews and Christians. Generally speaking, the Arabs believed they received the fruits of their labor without the help of the gods, therefore these were the people who cared very little for any religious duties. At age forty, Muhammed received his first revelation from God through the Angel Gabriel, marking the birth of Islam. In this revelation, the angel commanded him to “Recite in the name of your Lord who created man from a clinging substance. Recite, and your Lord is the most Generous, who taught by the pen, taught man that which he knew not”(Qur’an 96:1-4). Inspired by the message he received, Muhammad began preaching to the people of Mecca, exhorting them to abandon their idols and submit to the one and indivisible God. The revelations continued for twenty-three years and are collectively known as the Qur’an, which is the basis of Muslim belief. Nevertheless, his teachings gained him very little followers and instead created hostility resulting in his and his followers’ persecution. As a result, Muhammed traveled to Yathrib in 622, later renamed Medina (the City of the Prophet), and resided there till his death in 632.2 The year of his journey, the hijra, was proclaimed by the first generation of Muslims as the beginning of the Muslim calendar.

From the beginnings, monotheistic religions such as Islam were opposed to the idea of using buildings to house the faithful at prayer. The idea gave a sense of concession to human vanity and even worse, man’s desire to commence idolatrous worship of an object or edifice, hence the greater the building, the greater the anathema. Eventually, the idea was acknowledged and the first Mosque was built by the Prophet and became the mosque of Quba’ in Medina.


Mosque of Quba' in Medina.

Initially, owing to the nature of the Muslim faith and the minimalist nature of its liturgical requirements, a square area marked out by a line drawn in the sand was sufficient for communal prayer, provided only that one side of the square faced towards Mecca to indicate the direction of prayer. This became a very important characteristic in the evolution of the building of Mosques.

Other basic elements of mosque architecture were also developed in the evolution:

1.     A defined space – partly roofed and partly open to the sky. The space consisted of a covered prayer-hall or sanctuary (haram), the courtyard (sahn), the latter often being surrounded on three of its sides by colonnades or arcades (riwaqs), with the 4th side giving access to the prayer-hall. The prayer-hall, usually rectangular or square in plan, may be of the hypostyle type; alternatively, the hall may be covered by a single large dome on pendetives (one of the greatest contributions made by Islam to architecture) or by a roof punctuated by one or more small domes.1
2.     The qibla wall and the mihrab. The prayer-hall must have one wall facing Mecca, and the mid-
point of this wall, the qibla, is where the mihrab is placed, which is a recess or niche which is the central and most decorated feature of any mosque. Dissimilar to the alter of a church, the mihrab is not considered a sacred space, rather it is the direction of prayer which its presence indicate is considered sacred. The form of the mihrab is basically that of the Roman niche, semicircular in plan and having a semicircular arched top, set in the wall.1


The qibla wall and the mihrab with the minbar located to the right of it. Mosque of Aqsunqur.

3.     The minbar, or pulpit, is always positioned to the right of the mihrab and consists of a staircase of varying height, leading to a small platform which is often crowned by a cupola-type roof. Its origin was the small set of steps which was introduced in Muhammed’s house in Medina at a time when his followers had increased in numbers, so making it advisable for him to position himself above his audience in order to make his words more easily heard. It is symbolically reserved for the Prophet.1
4.     The dikka is a wooden platform or tribune of “single-storied height” and positioned in a line with the mihrab but is reached by its own stairs. From this raised platform the respondents of the mosque repeat the ritual postures of the imam and speak the responses so that the stages of prayer can be transmitted to a large congregation.1
5.     The kursi is the lectern on which the Qur’an is placed and from which the respondents read and recited. The kursi is usually placed near the dikka.1
6.     The maqsura consisted of a raised platform with protective wooden screens and was often erected adjacent to the qibla wall and provided direct private access to the mihrab area. The introduction of a dome over the mihrab may be attributed to the fact that the presence of the caliph called for special emphasis architecturally.1
7.     The pool, with or without a fountain, is intended to be for the prescribed ritual cleansings before prayers, but sometimes is purely decorative.1

Fountain inside Great Mosque in Bursa, Turkey.

8.   The minaret’s initial function was not only to serve as a local landmark but also to ensure that the voice of the muezzin making the adhan could be heard from a far distance. During the lifetime of Muhammed, the call to prayer was given from the roof of his house in Medina. Now that broadcasting the adhan is ensured via loudspeakers, the minaret now serves as a symbolic feature.1

Minaret of sheikh Zayed Mosque in Abudhabi, Abu Dhabi.

9.     The portal is a general characteristic of the architecture of the Muslim world. It is the concealment of the interior of a building from the outside view, hence the mosque is almost always surrounded by view-hindering, tall walls. The main portal establishes the threshold between urban bustle and the tranquil atmosphere within; as such, the gateway to the mosque takes on a powerful psychological importance, which is often amplified by lavish ornamentation intended to pay homage to God’s presence.1

These basic elements form the interior of the mosque and are taken into consideration while designing the exterior. In the design process, it is imperative to keep in mind to not stray away from the orthodox tradition in mosque design. Such a phenomenon may be classified as bid’a and thus unacceptable. Essentially, all these components are the factors that make up a Mosque, consequently determining mosque architecture.
                          
1 Frishman, Martin, Hasan-Uddin Khan, and Mohammad Al-Asad. "1/Islam and the Form of the Mosque." The Mosque: History, Architectural Development & Regional Diversity. New York: Thames and Hudson, 1994. 17-41. Print.
2 "Who Is the Prophet Muhammed?" Islam Guide. N.p., n.d. Web.

Sunday, November 13, 2016

AL QUARAOUIYINE MOSQUE AND UNIVERSITY, FEZ MOROCCO. ISLAMIC ARCHITECTURE.


Founded by a Muslim woman, the University of Al Qarawiyyin in Fez, Morocco, opened its doors in 859. Its library has been restored during the last three years by another woman, Canadian-Moroccan architect Aziza Chaouni. A wing will be open to the general public later this year.
The library houses a collection of 4,000 rare books and ancient Arabic manuscripts written by renowned scholars of the region. The manuscripts include a 9th century version of the Quran and a manuscript on Islamic jurisprudence written by philosopher Averroes.
The mosque plan consists of three main sections. As noted above, the prayer hall (sanctuary) is the most historical part, being gradually developed and extended. It is of a rectangular shape stretching from the north to the west thus giving the Qibla side the longest breadth. The span of such space, 83x 44.2 meters, extends over 21 aisles running perpendicular to the Qibla wall, a reminder of the T plan seen in much of North African mosques. The roof is made of a set of green tiled pyramids reflecting the number of arcades carrying it. The arcade itself is made of horseshoe arches supported by some 270 piers. The whole of the internal surface is painted in plain white, resembling the Kutubia Mosque and diverting from the rich decor of the Great Mosque of Cordova.






The central aisle or nave is wider and crowned with five cupolas of different styles mixing between ribbed and muqarnas vaulting, drawing the visitor towards the mihrab area. Further distinction of this aisle is noticeable in its pyramid roof, which was raised deliberately higher than the roof level of the mosque. As mentioned previously, it was added by Ali Ibn Yusuf's Andalusian architects. However, some doubted whether such a story is true. The six domes are not really Andalusian copies, especially the perforated ones. The muqarnas cupolas, executed in square, oblong and circular forms, are definitely older than their Andalusian counterparts. In fact they are among the first muqarnas executed in North Africa by the Almoravids, next only to those introduced in Qala complex of Beni Ahmmad (1080) and Great Mosque of Telemcen (1082). Their development in North Africa coincided with their popularity in the Seljuk domain in Persia and Anatolia.

Tiled in blue and white, the courtyard lies in the western side of the mosque, equipped with three marble fountains. The central fountain is an original 12th century Almohad piece of furniture which was complemented by two lateral fountains fixed under two symmetrical patios that were built under the Saadid rule , by the Sultan 'Abdallah Ibn al-Shaikh (1606-23). With their slender marble columns, these kiosks are the most elegant part of the mosque. The sections above the capitals were sculptured in beautiful Moorish golden "embroidery" comprising exquisite floral and geometrical forms framed within bands of calligraphy, features recalling the Alhambra famous patio of Lions, which also became typical surface decor in the Saadid dynasty in Morocco.

Modern Architecture: A Critical History (World of Art) – Kenneth Frampton





Wednesday, November 9, 2016

Mosque Al-Hakim, Cairo, Egypt, 928

Built in fatimid style, the mosque Al-Hakim in Cairo was named after Imam Al-Hakim bi-Amr Allah (985–1021), the sixth Fatimid caliph- the first one to be born in Egypt. The mosque was built outside the city's northern wall as an enclosure but became incorporated within the city in 1087  giving its own northern wall and minarets to the extended fortifications. Today, it is located the area of the city which is known as "Islamic Cairo", just south of Bab Al-Futuh, the northern gate. 

Plan- Muslimheritage.com
The mosque is composed of a rectangle with four arcades surrounding the courtyard. On the interior of the "rectangle" there is a five aisled prayer hall or sanctuary similar to the plan of Al-Hzhar. The central nave in front of the mihrab was enlarged and raised higher above the roof and was pierced with clerestory windows like Al Aqsa in Jerusalem. The mihrab was defined by a semi-circular dome raised on squinches and standing at the center of two corner domes which are similar in design. One of the unusual features is the monumental entrance with a projecting porch. one of the features which makes the mosque stand out are the minarets on either side of the facade. originally, these were independent of the walls but have since been incorporated in to the corners. the minarets at the mosque AL-Hakim are the oldest ones in Cairo and have been restored various times in their history. the massive salient were added in 1010 to strengthen their structure and the northern one was incorporated into the city wall. the structures are hollow because they have been built around the original minarets which are still connected with brackets and can be seen from above. 

Image: muslimheritage.com

Image: muslimheritage.com















Over the years, the mosque has been used for purposes other than a place of religion and prayer. During the time of the Crusades, it was used as a prison for captured crusaders, and Napoleon used it as a fortress. Saladin used the mosque as a stable and it has also been used as a local school. Because of the various purposes the structure has been used for in its lifetime, unfortunately it fell out of use. 

In 1980, the mosque went under extensive construction and restoration. It was refurbished with white marble and gold trim by Syedna Mohammed Burhanuddin, the head of an international Ismalli sect based in India. Some parts of the original decorations were restored at this time. These include stucco carvings, timber tie-beams and Quranic inscriptions. After these restorations, the mosque became a mosque again- a place of peace, quiet and a welcomed break from the hustle and bustle of the city. Today, it is used as a place of worship and a tourist attraction. 
shaspo.com


Sources: 
1- muslimheritage.com
2- Creswell, K. A. C. Sir (Keppel Archibald Cameron). Early Muslim Architecture. Oxford : Clarendon P., 1969. Book

Tuesday, November 8, 2016


The Great Mosque of Cordoba                                                                                         

Zhuan Liang
Aerial view of the Great Mosque
             In the year 710 AD, Abd ar-Rahman I conquered southern Spain from the Catholic Visigoths. During the rule of the Visigoths, in the place of the Great Mosque of Cordoba stood a Christian church dedicated to St. Vincent. After the Muslims took over, both Muslim and Catholic citizens shared the Church of St. Vincent with areas where worship of the Muslims was separated from the worship of the Christians. Then in the year 766 AD, Abd ar- Rahman I bought the other half of the church and he commissioned to replace the existing church with a new mosque, which was the Great Mosque of Cordoba.(1)
Plan of The Great Mosque

            The Great Mosque of Cordoba was inspired from the Great Mosque of Damascus because Abd ar- Rahman wanted to revive the original Great Mosque of Damascus, his home town, in his new capitol. Although the mosque took after the Great Mosque of Damascus, it also took many local trends of the time. For example, the horseshoe arches were Visigoths style, interlacing horseshoe arches were Christian style. On the exterior structure, it is seen that the arches it used served the purpose to help support the mosque and as a decorative element. There are poly-lobed arches, horseshoe arches, and interlacing horseshoe arches, all uniquely covered with decoration and art. Other than decorative arches, the door and entrances were also extremely elaborative, styled with mosaics. The Great Mosque of Cordoba initially had a minaret, but it was later converted to a bell tower when the Catholics took it back. (2)
Elaborate decorations

                   Just like the exterior, the Great Mosque of Cordoba has a rich and distinct interior. The interior has a hypostyle hall, containing 856 columns that support series of two- tiered arches in which supports the roof. Bi- level arches were seen in many structures before the mosque, however the mosque uses them differently in a way that it did not separate the arches in distinct levels, it just extended the arch column up and creating a freestanding arch. These arches were decorated with a red brick pattern which was a trend taken from the Byzantines.(2) The interior dome was built with crisscrossing ribs that creates point arches that were decorated with gold mosaic and radial patterning.(1) The mosque also has an orange tree courtyard with fountains that were used for ablutions.(3)

Interior Columns

                The Great Mosque of Cordoba was one of a kind in that it has a Cathedral built on top of its roof. In sixteenth century, after the Christians took back Cordoba, the mosque was slowly changed with the objections of the citizens. But King Charles V insisted, so soon a cathedral was constructed and made it part of the mosque. However, upon visiting the mosques himself, King Charles said, “You have built here what you or anyone might have built anywhere else, but you have destroyed what was unique in the world.” (3)   
The added on cathedral 


sources:
  1. Mirmobiny, Shadieh. "Khan Academy." Khan Academy. N. p., n. d. Web. 03 Nov. 2016.
  2. Http://www travelingthruhistory.com/author/admin/. "The Great Mosque of Cordoba." Traveling Thru History. N. p., 2014. Web. 03 Nov. 2016.
  3. "The Great Mosque of Cordoba: La Mezquita." Spain Cordoba: Mosque. N. p., n.d. Web. 03 Nov. 2016.
  4. Frishman, Martin, Hasan- Uddin Khan, and Mohammad Al- Asad. The Mosque: History, Architectural Development & Regional Diversity. New York: Thames and Hudson, 1994.Print.






















   
                   

Wednesday, November 2, 2016

Great Mosque at Tlemcen

Tlemcen, Algeria
Mosque

Great Mosque at Tlemcen

The Great Mosque of Tlemcen as a whole is an architectural masterpiece however, the techniques introduced in the construction of the mihrab dome are the most innovative. It is one of the oldest and best preserved Almoravid buildings in Algeria.
The city of Tagrart, which became known as Tlemcen, in 1082. The building of this new city began with the construction of the main mosque, which Ibn Tashfin commissioned to hold daily and Friday prayers. The mosque has a plan of an irregular pentagon, of about 60 x 50 metres, consisting of two main sections . The prayer hall is a rectangle made of thirteen parallel aisles that run perpendicular to the qibla wall, typical of North African "T plan" mosques. These aisles are peculiarly made of horseshoe arches and intersect by transverse arcades of polylobed arches. It is assumed that they visually establish an internal spatial hierarchy .
These lobed arches became an important feature of Almoravid architecture, seen in many Moroccan and Andalusian buildings. The central aisle (nave) leads to the mihrab and as custom it was given special treatment. Two of its bays were crowned with domes, with the more spectacular dome being raised above the bay just before the mihrab. Resting on muqarnas squinches, the dome was mounted on sixteen interlacing ribs that create a star pattern. The ribs were arranged by delicately cut bricks that some writers thought at first were made of wood.With the above features the Great Mosque of Tlemcen represents a unique example in the region, particularly in Algeria. In historical terms it is one of the oldest and best preserved Almoravid buildings in Algeria.












Monday, October 31, 2016

Mosque of Alaqmar H. Keles


                                                              Mosque of Alaqmar
Image by tripadvisor.com
The mosque of al-Aqmar was constructed in 1125 founded in Cairo, Egypt.  It was assembled by Fatimid vizier al-Ma’mun al-Bata’ihi. It is a medieval mosque in Cairo as its ancient and spiritual aesthetic significance has collected wide spread devotion  (Williams, Caroline, 1983). It is the first mosque and the first theological school to be built in Fatimid, Cairo strictly based on Islamic heritage. Since its manufacture, the mosque of al-Azhar has undergone some adjustments that include enlargements, redecorations and restorations. Apparently, all styles and periods of the history of the entire Cairo city are represented in the architecture of the mosque (Williams, Caroline, 1983).
The original variety of the mosque had a prayer hall that consisted of five aisles that were parallel to the Qibla wall. The aisles run perpendicular to the main wall, enhancing the prayer niche to which it leads from the courtyard to the outer root to prayer niche. More aisles were later added after the evidence of the Qibla wall right after the fall of the Fatimid. The original form was also smaller than the current version. Also, it was never located at the center of the capital. Originally, the mosque used to have only three arcades around the courtyard. Currently, it has four arcades. The original layout of the mosque was a common plan in North African and Andalusia architecture. The arcades are resting on pre-Islamic columns with Corinthian capitals. 
Originally its arches remained well constructed and are still in full effect. The current arcade is different from the original one. Unlike the initial version, the current version has a dome in front of the transept (Behrens Abouseif, Doris, 1992). The dome is hidden to the viewer sight from the courtyard by a screen wall. Also, the dome is decorated in curved stucco like print. The initial decorations included the conch of the prayer niche and the stucco inscriptions and arabesques on the arcades. Apparently, the prayer niche’s conch is decorated in a similar manner to that of mosque of Ibn Tulum.  The decorations come from the combination of samara style and the scrolls of palmettos. The combination entails Kufic script frames, which are slightly curved (Muqarnas, 1983).
The different periods of Fatimid decorations are represented in the stuccos of al-Azhar but scholars are yet to sort them out. There is a repetition of naturalistic depiction of palm trees on the wall. This actually opens an eye to the long lasting stability of Alaqmar. Its windowshave geometric grills framed with groups of Kufic inscriptions. The additional stucco decorations are very different from the initial forms. They are adorning the walls and the domes (Behrens Abouseif, Doris, 1992). This ring is made up of lobed arches that are pointing towards the center.  A ring is decorating the dome in front of the transept.

 Image by Archnet Drawing of Aslam Mosque: south elevation, main facade, and existing conditions

The arches have decorative inscription bands. The windows are decorated with bits of green and yellow glass. This makes the earliest known form of window decoration marking a pioneered movement in structure.  At some point in history, Fatimid’s silver belt is removed from the prayer niche and the tower troubled the entrance are replaced with higher more dependent altitudes. Other restorations were done during this period (Muqarnas, 1983).
In 1303 there was an earthquake that damaged some part of the mosque especially the monuments. Amir Salar restored the prayer niche and he also redecorated the spandrels.  He also introduced an extra beautiful prayer niche on the exterior wall of the mosque (Behrens Abouseif, Doris, 1992).


Work Cited:

Williams, Caroline. "The Cult of ʿAlid Saints in the Fatimid Monuments of Cairo Part I: The Mosque of al-Aqmar." Muqarnas (1983): 37-52.
Abouseda, Hassan. Building in Cairo, building over Cairo. Diss. Massachusetts Institute of Technology, 1987.
Behrens-Abouseif, Doris. "The Façade of the Aqmar Mosque in the Context of Fatimid Ceremonial." Muqarnas 9 (1992): 29-38.