Showing posts with label Doric. Show all posts
Showing posts with label Doric. Show all posts

Monday, December 5, 2016

Zecca, Venice Italy





                                                           Palazzo della Zecca

Venice, Italy has a long  history of minting that dates back to the Roman times. In the  the 16th century the government had a need for a new mint building and so the Palazzo della Zecca was created becoming the official government mint Located in Venice Italy. It was specifically built to be fire resistant excluding the use of wood. It was a strategically placed facing the Sea, so there was no hazards sparks from molted metal. The facade has a strong feeling of power and strength with the columns that leaves it feeling more like a fortress then a coin mint. 

The designed by Jacopo Sansovino. After he won a 
competition for the commission. There was a need for a new mint after a financial boom in the 1530’s. The building was designed in Rustic Dorick style of Architecture to reclaim the prestige of the Roman legacy. To achieve this the architects intent was to build a building that displayed the fortitude of the economy of Venice. He achieved this by placing heavy lintels and ring half columns around the windows. Originally the building was only going to have two floors but the architect wanted the building to look more formidable from the sea. 


The formidable building withstood the hands of time and produced coins for 330 years. Finally, when Venice became a part of Kingdom of Italy in 1866 the mint closed. The building today holds the "Saint Marks Library" with prestige and fortitude giving a second life to this iconic building.








Sources

htthttp://www.venicethefuture.com/schede/uk/135?aliusid=135p://arth335001.blogspot.com/2010/04/jacopo-sansovino-zecca-mint-venice-1535.html
Zecca : the mint of Venice in the Middle Ages Author: Alan M Stahl

     
Libreria di San Marco, walled-up window of the Zecca in the southwest corner of the piano nobile (photograph by author)



Jacopo Sansovino and assistants, main doorway, Zecca, 1554––56 (photograph by Ralph Lieberman)


Zecca and Libreria di San Marco, schematic plan as of 1556 (drawing by David Mihm)

Library of S. Marco,Venice Italy, 1560

Name: Xiaoyu Zeng
ARCH161 – M21 LEC(2587)
Library of S. Marco, Venice Italy, 1560
Doric order
Architect(s): Jacopo Sansovino, Vincenzo Scamozzi








[Introduction]
St. Mark’s Library is a sixteenth century building that is located in San Marco plaza of Venice. It is a masterpiece of the famous architect sausovino left in Venice, so that the name of library used his name to name it. He chose a narrow area to build it before people started to build it. He also adopted a double-layer structure that was slightly lower height. This long arcade with the classical columns looked concise and distant, and it also became a public area about leisure shade now.


Plan





[Construction]

The whole building is 84meters and it has 21 rooms that were divided into two layers. A layers of elevation are arcade. Stores are behind it. The library is on the second floor and people can reach from the central bay by stairs. The façade of column wall is circular wall, especially the column in second floor is Rome ionic type. A wall is close to the 1/2 width of wall column height and it also decorated with reliefs and vent. Arcade shoulder is decorated with embossed characters. The railing of stone on the roof top figure statue and the four corners become the obelisk. This library is thought to be the most magnificent project during the period of Renaissance architecture. Also, Plazza San Marco is known as the “heart of Venice”.










Monday, October 31, 2016

Temple of Olympian Zeus- Athens, Greece, Sixth Century BC- Second Century AD




       The temple was built on the site of an ancient outdoor sanctuary dedicated to Zeus. The tyrant Pisistratus built a temple for the god around 550 BC. Around 520 BC, the current temple began to be constructed and was completed under the reign of the Roman emperor Hadrian in second century AD, about 640 years after the start. Pisistratus’s sons began the construction. The temple was intended to be built of local limestone in the Corinthian style. It was supposed to be a 134.5 foot by 353 foot platform. On the front side, there would be a double colonnade of eight columns, and on the sides, twenty one.  The project was abandoned approximately ten years after it began, when only the platform and some elements were completed. For 336 years, the site remained in this state. In 174 BC, the Seleucid king, Antiochus IV, resumed the construction of the Greek temple and put Decimus Cossutius, a Roman architect, in charge of the project. Under Cossutius, the design changed. The double colonnade in the front changed to a triple, and the twenty one columns on the sides changed to twenty totaling in 104 columns. Each column was to be seventeen meters high and two in diameter. The building material changed to Pentelic marble and the style changed to Doric; this was the first time the exterior of a major temple would be in the Doric style. Antiochus’s death in 164 BC halted the construction of the project at its midpoint. For the most part, in the following years it was damaged and neglected until Hadrian rose to power and resumed the construction. It was completed in second century AD.
Image: studyblue.com

     After he completed the construction, the temple was formally dedicated to Hadrian. The temple itself and the surrounding precinct were decorated with statues depicting Hadrian, the gods and personification of roman provinces.

     The temples era of glory was short lived- after the Herulian sack and invasion of Athens in 3rd century AD, it fell to disuse. It is unclear if it was used in its damaged state but if it was used, it would have been formally closed in 425 AD by the Christian emperor Theodosius III when he prohibited worship of old Roman and Greek gods.

     Over the following centuries, the temple was used as a quarry for building materials needed for other projects.  By the end of the Byzantine period, it was almost totally destroyed.  Today, nothing remains of the cella and only fifteen of the original 104 columns stand with one more on the ground after being toppled in a storm in 1852. The site was excavated by Francis Penrose (British) in 1889-1896, by Gabriel Welter (German) in 1922 and by a team of Greek archaeologists in the 1960s.



     Over the years, different peoples called it by different names. During the Ottoman’s times, the locals called it the Palace of Hadrian. During Turkish rule, it was called the Palace of Belkis, due to a legend that it was a palace constructed for one of King Solomon’s wives.

Sources: 
1-  Watkin, David. A History of Western Architecture: Sixth ed. New York: Thames and Hudson, 1986. Print.
2- Martin, Roland. Greek Architecture: Electa Architecture, 2003. Print

Friday, October 28, 2016

Temple of Athena at Paestum, Campania, Italy, ca. 500 BC

Image by Norbert Nagel. Temple of Athena at Paestum. 

At an archaeological site in Italy, called “Parco Archeologico di Paestum”, stands one of the best surviving examples of ancient Greek architecture – the Temple of Athena, Greek goddess of wisdom and strategy.

According to Greek mythology, Athena was born from Zeus’ forehead fully grown and armoured. She is known to be the wisest, most courageous and most resourceful of the Olympian gods. She is associated with the crafts in the household, giving mortals the gift of cooking and sewing. She was a significant figure to the people of Attica (a historical region that encompasses the city of Athens) which resulted in a city being named in honor of her – the city of Athens, also known as the capital of Greece; which was also a reflection of her gift of the olive tree which became the symbol of peace and plenty.

Depiction of Greek goddess Athena.

It is not rare to see Greek history and architecture scattered throughout the country of Italy. The coastal areas of southern Italy were colonized by various ancient Greek city-states, including Magna Graecia. These certain sites were selected by the Greeks due to their fertile lands and, at the time, its beneficial geographical position for trade.4 As a result, Paestum, located in Italy, contains the Greek Temple of Athena. The identification of the temple as belonging to Athena, not Ceres, as proposed in the eighteenth century, is now secure due to the discovery of over one hundred terracotta figurines depicting Athena, and a later fragment of pottery with the archaic Latin inscription MENERVAE (the Roman equivalent name for Athena).5 Also, among many temples located in the area, the Temple of Athena sits on the highest point of Paestum; which was very common in Greek towns, as temples dedicated to the goddess Athena were always built on their highest points.2 It is also the first structure seen upon entering this historical site.


Temple of Athena is built on a slight rise in the highest part of town.

As one approaches the front façade of the temple, it becomes noticeably clear that part of the limestone pediment has been preserved or restored; in fact, one of the triglyphs inserted into the pediment is still preserved.3 It is common that in Greek temples, the rectangular blocks located between the triglyphs were decorated with carved figures, as seen in the Parthenon in the city of Athens; however, that is not the case in this temple due to the lack of naturally occurring marble in Southern Italy, and only coarse stones could be used for carving. Nonetheless, holding the pediment are 6 twenty-feet tall fluted columns of the Doric order, classifying this temple under “hexastyle”. Along the rest of the exterior are 13 fluted columns that continue on each of the longer sides; while the 6 columns of the inner pronaos are of the Ionic order.

Image from John Griffiths Pedley's book on Paestum. Plan of the Temple of Athena at Paestum.1

Doric is a classical order of architecture characterized by a masculine, sturdy, fluted and heavy column with a plain capital. In contrast, Ionic is a classical order of architecture characterized by thinner and fairly smaller columns, giving the column a more feminine quality, along with a capital using volute. Essentially, this idea of using both Doric and Ionic order in one structure is what makes this piece of architecture so meaningful. During the time of the construction of the temple, ca. 500BC, the Ionic order was emerging to popularity. For the first time in Italy Ionic columns were being incorporated in a Doric temple. Consequently, through the temple of Athena in Paestum, this critical change in architecture history is manifested.   
                           
1 Pedley, John Griffiths. Paestum, Greeks and Romans in Southern Italy. New York, NY: Thames and Hudson, 1990. Print.
2 "Paestum History Italy | Greeks." Paestum History Italy | Greeks. Amalficoastdrivers.com, n.d. Web.
3 "Paestum Temple of Athena (Ceres)." WwwPaestumorguk. Www.paestum.org.uk, n.d. Web. 28 Oct. 2016.
4 Cartwright, Mark. "Paestum." Ancient History Encyclopedia. Ancient History Encyclopedia, 02 Feb. 2016. Web. 28 Oct. 2016.
5 "Poseidonia, Temple of Athena (Building)." Perseus Hopper. N.p., n.d. Web. 28 Oct. 2016.