Thursday, November 3, 2016

St Lawrence at Bradford-on-Avon, Wiltshire, England, 8th-11th Century


Image: Watkin, History of Western Architecture

     The small church in England is one of the few original Anglo-Saxon churches in England that does not show later modifications or reconstruction.  Dedicated to St. Lawrence, one of the seven deacons of the city of Rome under Pope Sixtus III, some opinions believe that it was dedicated by St. Aldhelm in the eight century. There is some conflict as to when the small church was built. One opinion is that the two parts, the upper and lower, were constructed at different times and another is that the structure was constructed in its entirety in around 1000 CE. According to the first opinion, the lower part was constructed approximately around the year 700 CE and the upper portion around 975 CE. These opinions are based on either written sources or the style in which it was constructed. According to the written sources, the church was built in the early eight century. According to the style in which it was constructed, it dates to the tenth and eleventh century.

     The small church is well proportioned and was carefully built with stones adorned with blind arcading on the exterior. There was s projecting porch on the south side which has since been destroyed but the north porch still stands. The nave is long and narrow, and as high as it is long, twenty five feet (seven and a half meters). Its width is approximately thirteen feet or four meters. The steep and narrow proportions of the church are emphasized by the small size of the chancel arch which is only three and a half feet wide (one hundred and seven millimeters). The decoration includes fragments of large reliefs which gives a small hint of richness as well as angles carved into stone. The church is miniature and minimal which gives it a serene and simple feeling.
Image: britannia.com

Image: greatenglishchurches.co.uk
     The nave was used as a school from 1715 until it was discovered. The chancel was divided into three stories and was used as a cottage for many years. It was recognized for its Saxon fabric in 1856 by Canon Jones, the Vicar of Bradford. During repairs, the carved angels were discovered which led to the realization that this small building was an ancient church from a passage in William of Malmesbury's Gesta Pontificum (dated circa 1125) "to this day at that place there exists a little church which Aldhelm is said to have built to the name of the most blessed Laurence". It was recognized and restored as a church in 1870–80. The modern restorations were only to update stairs and windows. The church was in remarkable shape, one of the most preserved of its time.

Sources-
1: Watkin, David. A History of Western Architecture: Sixth ed. New York: Thames and Hudson, 1986. Print.
2; https://www.historicengland.org.uk/listing/the-list/list-entry/1036034
3: http://www.britannia.com/church/saxchurch/bradford1.html

Wednesday, November 2, 2016

Joey Michilli




Strasbourg Cathedral DE Notre-Dame is known as one of the most beautiful Gothic cathedrals in Europe. The Cathedral stands on the exact site of a roman temple built on a little hill above the muddy ground. The first version of the church was starting to be built during 1015 by proposal of Bishop Werner von Habsburg, but fire destroyed most of the original Romanesque building. By the time that cathedral was being renovated, the Gothic architectural style has reached Alsace and the future cathedral was starting to develop all characteristics of Gothic aesthetics. The project of the first cathedral in Alsace was handed to craftsman and stonemasons who had already worked on the also famous Gothic cathedral in Chartres.
Although the cathedral was at first financed by the local prince bishop, after his defeat, the municipal bourgeoisie took charge of the work themselves. Also, due to the lack of money, the citizens decided to contribute to the building fund with their private donations.
The person who was 1284 selected as an organizer of the whole procedure was Erwin von Steinbach. He imagined and designed the magnificent west front of the cathedral and its main entrance. By the time of his death, building had progressed – the rose window was being completed and so were his towers. In 1399, Ulrich von Ensingen, the architect of the Cathedral in Ulm, supervised the building of the octagonal base of the spire which was completed after his death by Johannes Hültz from Köln and which soon became the symbol of Strasbourg.
For the next four centuries, due to the height of its tower (142 m), the Strasbourg Cathedral was considered the tallest building in modern world! Furthermore, it was unique because it was one of the few Gothic churches equipped with only one tower.


Under the Reformation, in 1521, the cathedral became a Protestant church. After the incorporation of Strasburg into France in 1681, the cathedral was returned to the Catholics and dedicated to the Virgin. 
The cathedral greatly contributes to the history of Gothic sculpture. The facade of the southern cross bar is decorated with the famous Church and Synagogue from the same workshop than produced the remarkable inside pillar of the Angels (1230-1250). While previous facades were certainly drawn prior to construction, Strasbourg has one of the earliest facades whose construction is inconceivable without prior drawing. The statues, dating from the 13th to the 15th century, located above the triple portal of the Gothic facade, depict the Prophets, the Wise and Mad virgins and the Virtues and Vices.
Inside, it is possible to admire the high Gothic styled baptistery made by Dotzinger (1453), the magnificent pulpit decorated with numerous statuettes sculpted by Hans Hammer in 1485, the Mount of Olives in the northern transept by Nicolas Roeder (1498), and the St. Lawrence's portal dating from the middle Ages.he cathedral has many other treasures: stained glass windows dating from the 12th to the 14th century, the St. Pancrace's altar (1522) from Dangolsheim, the 17th-century tapestries forming the Virgin's wall covering purchased in the 18th century, and finally a very popular curiosity, the astronomical clock set up in its own 17th-century case decorated by Tobias Stimmer and using an 19th-century mechanism devised by Schwilgué. To its left, there are 15th-century mural paintings.

The presence of an organ is attested as early as year 1260. There was also two other instruments built and modified in 1291 and 1327. The oldest sections of the actual organ case are not older than 1385. The bird's nest was built in the same period. It is built in fir and is hung from the wall by a very large vertical oak beam down to the Samson's statue. To the right, the mobile character depicting a pretzel dealer was the famous Rohraffe who, with his arm and head, punctuated the insults shouted by a cathedral's servant hidden in the loft during the procession on Pentecost Sunday. The city herald's right arm and the lion's mouth are also mobile.
The famous tower was once almost completely destroyed during the French Revolution, inspired by anti-religious believes, some revolutionary leaders ordered its demolition. But, a local locksmith conceived a brilliant scheme of making a huge Phrygian cap made of metal to cover the tower.
The bomb shelling of 1870 and 1944 caused some damage of the Cathedral, but after few renovations and the replacements of missing statues, the Cathedral regained its original look.






According to a legend, the local authorities of Strasbourg ordered that the constructor of the Astronomic Clock should be blinded so that he could not try to build something like it ever again. This first clock was equipped with various mechanical details that were very rare in that time, such as calendar and astrolabe, as well as very interesting miniature statues. The main statue of the clock was representing Virgin Mary holding baby Jesus in her arms. In front of her, every hour, the three Kings would step out of their chambers and the music announces the time.At this moment, astronomical clock offers you a view of different stages of life, which are personified by a child, a teenager, an adult and an old man, who pass before Death. Above this are the apostles who walk before Christ. Their passage is punctuated by the beatings of wings and the song of a large rooster. In front of the clock is the marvelous Pillar of Angels, which, in a very original manner, represents the Last Judgment.




Sources-http://frenchmoments.eu/strasbourg-cathedral/


Church of SS Sergius and Bacchus

Constantinople
Church


Church of SS Sergius and Bacchus

The church of SS. Sergius and Bacchus in Constantinople is dedicated to two Roman soldiers who were tortured to death in 303. According to a legend, Bacchus was flogged to death first, while Sergius survived and was brought to the fort at Resafa, not far from the Euphrates, where he was again tortured.

    The emperor Justinian was one of the most ardent devotees. As a youth, he had been condemned to death because he was believed to have plotted against the emperor Anastasius I, but the twin saints had, according to a legend, in a dream appeared to the ruler, who had now understood that Justinian was innocent - or that God had greater plans with the man - and had released him.

It comes as no surprise that Justinian dedicated a church to SS. Sergius and Bacchus. The grounds on which he built the sanctuary were not far from the Hormisdas Palace, where the emperor used to live.
The church of SS. Sergius and Bacchus was a complex project, because a second church, which was designed as a basilica was very close to it, and in fact shared the entrance with the new church. It is not recorded to whom this second church was dedicated, and no traces of it are left. Construction of the SS. Sergius and Bacchus took several years, but the project was finished before 536.
The dome is very remarkable, because it consists of eight flat and eight concave sections, which rest on eight piers. This is unique, but it might well have become extremely popular. Many churches in this age were very innovative and experimental; the architects were still looking for new forms. Eventually, the dome of the Hagia Sophia was to receive a different design, which became the new standard.

The church was converted into a mosque in the first years of the sixteenth century and is now  known as the Küçük Ayasofya, the "Little Hagia Sofia".
 
















http://www.doaks.org/resources/publications/dumbarton-oaks-papers/dop54/dp54ch1.pdf

Great Mosque at Tlemcen

Tlemcen, Algeria
Mosque

Great Mosque at Tlemcen

The Great Mosque of Tlemcen as a whole is an architectural masterpiece however, the techniques introduced in the construction of the mihrab dome are the most innovative. It is one of the oldest and best preserved Almoravid buildings in Algeria.
The city of Tagrart, which became known as Tlemcen, in 1082. The building of this new city began with the construction of the main mosque, which Ibn Tashfin commissioned to hold daily and Friday prayers. The mosque has a plan of an irregular pentagon, of about 60 x 50 metres, consisting of two main sections . The prayer hall is a rectangle made of thirteen parallel aisles that run perpendicular to the qibla wall, typical of North African "T plan" mosques. These aisles are peculiarly made of horseshoe arches and intersect by transverse arcades of polylobed arches. It is assumed that they visually establish an internal spatial hierarchy .
These lobed arches became an important feature of Almoravid architecture, seen in many Moroccan and Andalusian buildings. The central aisle (nave) leads to the mihrab and as custom it was given special treatment. Two of its bays were crowned with domes, with the more spectacular dome being raised above the bay just before the mihrab. Resting on muqarnas squinches, the dome was mounted on sixteen interlacing ribs that create a star pattern. The ribs were arranged by delicately cut bricks that some writers thought at first were made of wood.With the above features the Great Mosque of Tlemcen represents a unique example in the region, particularly in Algeria. In historical terms it is one of the oldest and best preserved Almoravid buildings in Algeria.












Church of S Demetrios

Thessaloniki, Greece
Church


Church of S Demetrios



Saint Demetrius, or Agios Dimitrios, (208 AD-303 AD) is the patron saint of Thessaloniki. He was the son of a wealthy military commander of Thessaloniki and received a good education as a child. He also joined the army and became an officer.When his father died, the Roman emperor Maximian ordered him to chase and kill the Christians of Thessaloniki. Dimitrios refused to do so and revealed his faith. He was asked to change his religious beliefs but refused once again and expressed his disgust for idolatry. Therefore, he was put to prison, was tortured and died for his God. Before he died, he donated all his wealth to the poor. His bravery and sacrifice made him an orthodox saint.When the emperor Constantine the Great ended the prosecution of the Christians (324 A.D.) and made Christianity the official religion of the Byzantine Empire, people built a small church on the place of the martyrdom of Agios Dimitrios, close to the Roman baths. His grave was said to be miraculous and thousands of pilgrims were coming every year to pay their honors.
In 413 AD, a bigger three-aisled basilica was founded by the eparch Leontios, which was burnt down two centuries later, in 634 A.D. Shortly afterwards, an even bigger five-isled basilica was built, which remains till today and constitutes the largest church of Greece. In 1493, during the Turkish occupation, the church was converted into a mosque and in 1912, when the city was liberated, it became a Christian church again. In 1917, it was once again destroyed by a fire and rebuilt according to the original plans. It started to function again in 1949.

The crypt of the saint, accessed by a staircase behind the sanctuary, is said to be the site where the saint was killed by the Roman soldiers and buried. His crypt was converted into an exhibition area in 1988, hosting articles that survived the 5th century fire, like sculptures, vessels and other decorative items. Agios Dimitrios became the patron saint of the city in 1912



Temple of Apollo at Cornith

Cornith, Greece
Temple

Temple of Apollo at Cornith

Corinth was an extremely wealthy city, owing its wealth to its position on the Isthmus of Corinth, which meant it had a port on both the Aegean Sea and the Ionian Sea.

The temple was built in the Doric style. It had 6 columns at each end, and 15 along each side. It was 174 feet long and 70 feet wide.The Doric columns are monolithic, that is, made from single pieces of stone. The stone used was limestone, and had a surface of white marble stucco applied to it. Each of the columns is over 23 feet high, and at the base has a diameter of  5 feet 8 inches. Seven of these columns remain standing, with a section of the entablature intact resting on the tops of the columns. The inner building comprised two rooms or cellas, placed back to back. Each of these cellas was entered by a porch, each with two columns in front of them. Inside the cellas were two rows of smaller columns. According to the Greek traveler Pausanias, there was a bronze statue of Apollo in the Temple. In the Greek period large steps to the east of the temple led down to the Lechaion Way and to the entrance to the agora.
The temple was built on the site of an earlier seventh century B.C. temple, some remains of which have been excavated from the area of Temple Hill. In the Roman period, the interior colonnades were removed from the cellas of the structure and the columns were reused in the exterior colonnade at the west end of the forum to the northwest of the South Stoa. In the first century A.D. Roman stoas were built on two sides of the temple to the south and north. In the Roman period, the main entrance of the temple was changed from an easterly to a westerly approach.
The Temple of Apollo in Corinth, one of the oldest stone temples in Greece, was completed in 550 B.C. Only seven of its 38 limestone columns remain.
It's impossible to miss the Temple of Apollo. It dominates the whole area of archaeology which is ancient Corinth.  With new lighting since January 2013 you can now be awed after dark as well.The remains of the temple lie on a terrace which is on the highest part of the city. From here there are wonderful views, extending as far as the Gulf of Corinth. It's a spot from which to take photos, and to get an overall view of the extent of the ancient city of Corinth.

Monday, October 31, 2016

The Tholos at Epidaurus

The Tholos at Epidaurus


The Tholos at Epidaurus was constructed between 360 and 330 BC and was designed by architect Polykleitos. It follows the usual building pattern of the Greek tholos with an outer ring of Doric columns forming the perimeter threshold between the inner labyrinth and the outside world. A second ring of scaled down columns is found inward harboring the labyrinth. Unlike earlier Greek tholos, the Tholos at Epidaurus has a specific entrance point with a ramp placed for people to enter and exit the building, former tholos were built only to be seen from the outside so they did not need a highlighted entrance way as nobody would be going inside. 
The purpose of the building is still unknown thought there are many theories on what went on inside the Tholos at Epidaurus. Some theories suggest that had something to do with the sun, while other believe that it could have been a place where patients were brought to be cured. Today nothing remains of the Tholos at Epidaurus besides the inner labyrinth and the remaining rubble

Works Cited
"The Tholos at Epidaurus." The Tholos at Epidaurus. N.p., n.d. Web. 31 Oct. 2016.

Elderkin, George W. “Tholos and Abaton at Epidaurus.” American Journal of Archaeology, vol. 15, no. 2, 1911, pp. 161–167. www.jstor.org/stable/497211.